That’s probably one of our darkest records. But I didn’t know where it was going to fit in in the times. They were just like, “Where are the old Deftones at? Where’s the screaming?” It was a slow grower and there was a lot more to take in. But I also remember a lot of our fans not liking it, or maybe not getting it. When we were done with the record, I remember us being proud of it. I think we wanted to dive into that a little bit, and see how we can really bring some of these sonics into our sound. I just knew that I wanted to take what we just did, with that confident vibe, and see where we could go.Īt that time, I was listening to more electronic, breakbeat stuff, like DJ Shadow records, UNKLE records, trip-hop. I didn’t really despise it, but I wasn’t really a big fan of it. But the climate in music had gotten really polluted at the time with a lot of bands making this formulated riff-driven radio rock kind of stuff. Having success with Around The Fur, I felt like we were on top of our game in a lot of ways. But yeah, I hear our youth in that record. There are some moments in there that are pretty special. Sometimes there’s beauty in that, when you don’t know what you’re doing. My confidence as a vocalist, it hadn’t really blossomed at all. It’s probably one of my least favorite records of ours. That’s probably why some of the record makes me cringe a little bit. If I ever had to go back on something, it would be different every time. I would just make stuff up and then he would keep it.
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As a songwriter, I didn’t know how to write lyrics. Maybe a third of that record, there’s no lyrics on it, because I was so nervous. I remember I couldn’t commit to any words. We probably drove crazy because we were just punk skateboarder kids.
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The way I approached everything was pretty much trial by error. I still didn’t really consider myself a singer or an artist in any way. The fact that we got a record deal was pretty scary, for me especially. Those are basically some of the first songs we wrote. What ended up on the first record, at that point it was our life’s work.
I introduced those two dudes and we just started playing. He just more or less had a bunch of gear. And Stephen wasn’t really in a band either. Abe had been playing drums since he was a kid, but he was never in a band. We all skateboarded, so we all just hung out and talked about music all the time. And I knew Stephen, he grew up down the street from me. We were in 10th grade, and we started playing together in the garage just as friends and neighbors. That was a long ass time ago, especially because we started the band pretty young. “There’s not one of us individually that was sort of sitting back just going along.” Tamar Levine
“Everybody firing on all cylinders,” he says. What’s clear, however, is that he remains committed to Deftones one quarter-century into their recording career. When Moreno was asked to revisit Deftones’ catalogue, he didn’t hold back, candidly assessing the strengths and weaknesses of the band’s eight studio records. “I haven’t seen any of them in six months.” According to singer Chino Moreno, the band members also reconnected on a personal level after 2016’s somewhat disappointing Gore, hanging out more together than they have in a long while, before the pandemic made that impossible. In a sense, Ohms is a literal return to the band’s early days - the well-pedigreed producer Terry Date (Pantera, Soundgarden), who oversaw the first four Deftones records, is back in the fold after an absence of more than 15 years. Their latest, Ohms (due out September 25), is their strongest work in years, a return to form that finds them reconnecting energetically with their heavy, hard-rock roots. In the years since then, Deftones have continued to put out acclaimed albums that have put them outside the metal mainstream. Around the time that many of their peers peaked on rock radio, Deftones put out 2000’s White Pony, an art-metal masterpiece that forever altered their career trajectory. But the genre classification never fit comfortably, as Deftones drew from a much wider range of influences than just metal or hip-hop - including everything from electronic to shoegaze to classic ’80s alternative rock - and also because of their longevity. When Deftones broke out in the late ’90s, they were frequently lumped in with the era’s nu-metal acts.
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